"Samsara", Acrylic on Canvas, 36" x 48", 2012
"Samsara", Acrylic on Canvas, 36" x 48", 2012

“Saṃsāra”, Acrylic on Canvas, 36″ x 48″, 2012

The name derives from the Sanskrit word, “Saṃsāra”, which refers to the flow of life through experiences and incarnations.  The woman with one eye is what I would call a “Cyclopean Receptionist”.    She was genetically engineered to not have a soul.   “Samsara” is often conceived of as a cycle or a wheel of experience, and in this depiction the wheel revolves around the soulless eye of this “Cyclopean Receptionist” as though it were the eye of a storm.  It is a storm of life in which their is a calm center of non-being and non-existence, a void, from which all emerges.   It is the eye of a goddess through which you are received into death, and yet she has such a disarmingly winsome personality that if you met her in the waiting room of a doctor, an opthalmologist even, you would perhaps notice nothing out of the ordinary about her.

Below are details from the painting:

"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", (detail), acrylic on canvas, 2012
"Samsara", Acrylic on Canvas, 36" x 48", 2012
"Samsara", Acrylic on Canvas, 36" x 48", 2012

This painting is based on a video montage I made in 2009, “Bedtime”.  Music by Sabitu.

 

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"The Torture Garden"<br />
24" x 30" , Acrylic on Canvas, 2011

"The Torture Garden"
24" x 30" , Acrylic on Canvas, 2011

“The Torture Garden,” 24″ x 30″ (61 x 76 cm), Acrylic on Canvas, 2011

Woman possesses the cosmic force of an element, an invincible force of destruction, like nature’s. She is, in herself alone, all nature! Being the matrix of life, she is by that very fact the matrix of death – since it is from death that life is perpetually reborn, and since to annihilate death would be to kill life at its only fertile source.

– Octave Mirbeau, The Torture Garden, 1899

This painting derives from an image I named, “Venus”, that I made in Photoshop a couple of years ago:

I started the painting by faithfully copying the image in the photomontage, but after awhile it seemed pedantic to me – I felt that when it was just a copy of the montage that it lacked my personal touch and style, and so I stopped looking at the photo and improvised all the finishing touches.  Now, I feel that I have created something that is distinctly mine.  I think the ballerina legs may come from a Henri Cartier-Bresson photo, but of this I am not certain – they are mine now!

The title, “Torture Garden”, is of course a tribute to the famous novel which I recently read.  It seemed such a fitting title – I could not resist.

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